so if the value of a broadcaster (need to find them a new name) is not what it once was (a start to finish, media, content and distributions company) what is it going to be? i see them playing in two places:
- content creation
simply, the broadcasters become a production house. no different from a movie studio. they'll continue to make the content, brand it as their own and sell it to the cable companies. so the tv monetization model shifts from selling the media within themselves, to selling the rights and cable companies sell the media within. of course there is still the money to be made from integrating brands into the programming so that revenue stream survives. - on the web
the cable companies have no play on the broadcasters websites, so this is still their own territory to own. they control the delivery system and thus can sell the media within, however they choose. same as now, but they'll still have to rethink this model too.
interesting things happen in this situation:
- the basis of buying
because it's no longer a speculative model, based on audience estimates, we are buying impressions. it's no longer buying a whole audience, but buying individuals and as much or as little of them as you want. a person, is a person, is a person. this leads to a standardized cost and then buyers will be able to select on various levels of granularity to targeting and a premium at each incremental one. - the whole audience
with everything being sold based on the box we can now sell things as a whole so it is the totality of a show that you can access and cable companies can monetize. live, on-demand and pvr. though, read below in that the future really only holds one type, but for now we would buy it wherever. - dynamic ad placement
as i alluded to in the previous post, ads are not part of the stream but dynamically fed in by the box. there's a host of great new ways this can be used. more timely ads, live ads, dynamic copy ads, interactive ads, and many others that are similar to current web models (overlays, skins, companions, etc). - content abundance
there's so much potential for a massive influx of diverse content. because we're still on a model of a broadcast stream, it's limited to 24 hours per channel. lose that constraint and we're no longer limited to content from those channels. new content from all kinds of production houses, from studios to independents, can flood in. - the data store
again, as mentioned before, all the data we can enter to personalize and all the data that is collected based on viewing patterns is available (within reason) to marketers for relevant placement of ads. - micropayments
as a way to fairly charge users for the amount of programming they consume. now users who are light watchers aren't paying the same rates as the heavies.
so to complete the thought, my full vision of where tv is headed goes like this. there are no more time slots, there are no stations, there is no appointment viewing, there is no constant programming that is 'on', there is just content you can access. when you turn on your tv, it goes to an interface and you navigate to where you want, either by browsing shows or just calling up the ones you know. probably voice activated eventually. live programming (ie. sports, news) still happens, it's just not constantly streamed, you just open up a stream of it. surfing doesn't happen anymore, we're actually engaged with what we want 100% of the time. you favorite shows for easy access. there's a random button that gives you options based on other programs you watch. you set up your own playlists. you buy right from the program. branded content is interchangable with programming.

travis st.denis



Past Mortem by Ben Elton: Written in typical Ben Elton style, full of wit, shock, poignancy and suspense you'd expect from past books. With old friends like these, who needs enemies? It's a question that short, mild-mannered detective Edward Newson is forced to ask himself, having, in romantic desperation, logged on to the Friends Reunited website in search of the girlfriends of his youth. Newson is not the only member of the class of '86 who's been raking the ashes of the past. As his old class begins to reassemble in cyberspace, the years slip away and old feuds and passions burn hot once more. Meanwhile, back in the present, Newson's life is no less complicated. He is secretly in love with Natasha, his lovely but very attached sergeant, while comprehensively failing to solve a series of baffling and peculiarly gruesome murders. A school reunion is planned, and as history begins to repeat itself, the past crashes headlong into the present. Neither will ever be the same again.



2 comments:
But will the broadcasters relinquish the control of that media to the cable companies? I'm not so sure...
it'll probably be very hard for them and they'll be obstinant for a long time about it. but we advertisers have to start demanding better targeting for our clients (ie. ROI) and their current model doesn't deliver that. the dollars will lead them.
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